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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, one half of the innovative 1980s electronic music band Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is considered a classic of electronic music.

He later founded the pioneering techno group The Grid, who secured popular acclaim with their 1994 single Swamp Thing.

Ball passed away peacefully in his rest at his residence in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

During that show, Ball appeared in a wheelchair, as he had for the last two years, following a period of ill-health.

"I managed to damage myself significantly," he commented in 2023. "I broke lower vertebrae in my back and cracked about multiple ribs and fractured my arm."

Following catching a lung infection and suffering from blood poisoning, he was placed in an medically-induced sleep and remained in hospital for seven months.

However, he had been in "high spirits emotionally" during the warmer months, as he was developing a new album with Almond, called Danceteria, which is set for release next year.

"He was focused and very pleased with the new album that we literally completed only a few days ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I take some solace from the fact that he heard the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond referred to his bandmate as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an significant part of my existence and for the songs you created with me. I couldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is different from joining a group, the bond is very tight," he continued.
"That was the case with us. We went through so many remarkable, incredible, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Early Life

Born into a one-parent family in Chester in 1959, Ball was given up for adoption when he was a year and a half of age.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his first name from his birth name to David, together with his sibling Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in 1977, where they were both learning art. Inspired by a shared love of a music genre, they established Soft Cell the very year, and quickly recorded an EP.

Musical Partnership

The pair were an distinctive pairing: Ball was the quiet technician, bent over his synthesizer, while Almond was a flamboyant showman, all glitter and eye-liner; but they achieved a rare creative synergy.

Ball had developed a interest with synthesizers after viewing the band Kraftwerk perform on BBC science show a popular series, and started to combine moody electronic sounds to the catchy tunes Almond was writing.

Tainted Love became the United Kingdom's second most popular song of the early 80s, shifting millions of copies worldwide. Alongside successful tracks by Gary Numan, Human League and electronic acts, it helped cleared the path for the electronic music style of the 80s.

The track was also featured on their full-length debut, their initial LP, which spawned two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at number two in the following year.

Soft Cell in the studio
The pair were working on fresh songs right up until Ball's passing

Professional Journey

Fame had its upsides. "I loved being able to purchase my initial property, having money and travelling, which makes me sound like a Miss World," Ball not long ago told with a publication.

But it also caused challenges. "Sudden riches meant we could purchase newfound drugs to relieve the monotony" of media interviews and TV performances, Ball said.

"I know that's a common saying, but it's a cliché for a valid cause, because it applies for so many bands."

During the hedonistic lifestyle, the duo were also growing distant, but they succeeded to create a second memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before dissolving the band to focus on individual endeavors.

Almond proceeded to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting album Cruelty Without Beauty.

After a further hiatus, they reappeared in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on September 30, that year.

However, they remained together, recording their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately characterized the band's new album as a tribute to the NYC nightlife they visited while making their initial records.

He noted that his time in hospital had shaped the band's sound.

"I experienced unusual memories when I was coming and going of hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a digital reflection of the noises in my head from those days.
"In parallel, it's about the times we got up to in the 1980s."

The final mixes were finished only a short time before Ball passed away. It is due for release in the spring of 2026.

About the author

Lauren Williams

A tech journalist with over a decade of experience covering emerging technologies and digital innovation across Europe.

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